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Very good job guys...bass player nailed it.

You have jumped to weird shit, How about the basics as you video says, You know recording a guitar. Adding the Interface.

The problem with any remaster made from the original tapes is that they have been sitting around for decades, and tapes degrade just sitting on the shelf. That's one reason why many remasters sound bad no matter how well -intentioned the engineer.

So good! What an episode. All the tiny tools we need!

16ohms looks like a fuck bee on my ear! 8ohms for me it's better

My Friend Is there anyway you can send me how you did those rear height speaker pole adjustments? :)

9:09

Why do you have so many IN5s though in the background? :)

It will perfect for a live rig, right?

Just a minor correction: LA-3A style compressors do not have valves (tubes). The LA-3A was designed to be a successor to the LA-2A, and transistor/solid-state designs were the newer and more modern option at the time.

The hard way was what I was looking for and thanks sir, I finally decomposed my drum kit and didn't hear only kicks though I thought I had routed my drum set to sub-tracks. As it seems, they were all getting Audio 1/2 :)) Thanks a lot!

16 tighter

Thanks for the video and good job. I wish my blues cube got could take these capsules but it is a great amp nonetheless. 🎶🤘🏻🎸

J1 - top 1??)😊

2roomMic's2Tape&~mixingboard, getta out that mess, m Wait, you say "I better get use to it"? Hold on, let me charge up the battery on my DAW,,,,😮😂😅😊❤😊

Thanks for breaking down the technical aspects of this amp's design in an easy-to-understand way for us non-electrical-engineer types. That’s the most coherent explanation of rectification and how the different stages can be manipulated to affect tone. Nice work!

How are they that expensive for what you're getting? I've bought a ton of cheap shit to save money and I always end up having to upgrade anyway.

What if you don't give a shit. Is 41.1 of 48 better?

I would like to know if the 412cab consisting of two Alnico creams on top and two Redbacks on bottom is suitable for pairing with Wizard MC2?

I use Paracetamol myself. I still like to mic something up even though in my untreated home studio, I sometimes get the neighbours dog that won't shut up. It's easy enough to cut that out afterwards anyway. I have EZdrummer 3 which is terrific. Other VSTs come with a sort of virtual "retailer" to browse all the other goodies whether I want them or not. I sort of appreciate the possibilities but I'm very aware that this takes time to load and uses lots of CPU when the only things I use are a couple of bass and guitar amps yet I've loaded up an entire stockist of "stuff" into Reaper. Others do it via a separate "Product manager" which goes in the computer "start" and this is much more satisfactory. One way or another, to buy a paid plugin commits you to uploading a whole range of unwanted upselling, even to the point of gadgets to buy first and clutter your desk just to get started. Strokes for folks - do what you think best. Since I find little difference between a Telecaster or a Les Paul through "Full chat" gain, I skip VSTs that are about cork-sniffing and I'm not that likely to upload an AC30 or a Marshall Plexi if they don't authentically deliver these at the gorgeous "just switched on - in the room" settings. Which they don't - and I know this for sure because I have them - along with a zillion cabs, stomp boxes - just to get the choice of three Ampeg bass amps - of which I use two. I no longer even consider freebies or beta jobs. I'm sure some are good but reviews are no substitute for loading them to try it - followed by getting rid of it soon afterwards. What's the acronym for "Pain in the 'arris?" So.....not that much faff, not that much Paracetamol, not any more VSTs than I need. EZDrummer is essential and the rest....so what? Incidentally, I picked up a tip for mic-ing up instruments that I've found to be vital. The beautiful light displays on some interfaces to set up your signal means little for two reasons - the first is the gain-staging which you have to assess for self by trial, error, experience, brute force ands ignorance. The second is - the core sound. If it just stinks, back off the interface a whole lot and take a listen. The best sound is rarely just below clipping. Big thanks for these videos - lost without them.

Hello Adam, I am new to your channel and so far you are easy to follow. I do have a question and my first problem. I followed your steps, and I am at the point of creating a track. I opened the screen, double clicked on the blank space, selected insert then selected media file. I did not get the secondary drop down with all the files to select from. There is a peaks folder and a learning test however, nothing opens with a ware form in the track. I am stuck and don/t know how to proceed, can you or anyone help?

Dang dude, as a huge V30 hater the 8ohm one sounds nice, thick and dark. The 16ohm one has that typical high midrange and treble spike, that granted, chomps through a band mix like nothing else, but it's just so ice picky and irritating.

thank you a bunch i've been totally stuck on all the basicas as simple as setting up vst and midi keyboard and you helped a ton!

Best all-around microphone for a truly skilled vocalist. Not a screamer or a pitchie rock singer

Where's the 70/80?

Useful thanks.

Interesting that he calls it a 90’s sound when the mixing was done with little to no extras. Watching Mills play this live, the piano sounds the same.

Ok I'm downloading it again. I deleted reaper a while back when I tried to just edit a pop out of an audio file and there was no simple way in the daw to draw the pop out.

This video is comical to watch knowing that they are, in fact, the exact same internals 100% replicated, and the only difference is the ball grille. Talk about placebo effect, lol. And the fact that you can take the Grille off of the 58 and it becomes a 57, which makes the 58 more versatile than the 57, with better use for vocals with the grille. And for instruments without.

The Redback is something special, it has both darkness and clarity to it. It very easily destroyed all the others.

great videos, in 2024 stillwatching, have a question, do you have any video mixing voices? am kind of lostand i wouldlike to learn about it,thxns

Metal snares are for college marching bands. Wood snares are for music.

4:58:41 vs 5:07:32

5:19 this reminds me of an early 90s Soundgarden tone/sound.. think Badmoterfinger ( Rusty Cage or even Jesus Christ Pose)

Can you do a tutorial on how to install yabridge on steam deck it converts windows plugins to Linux and it is very confusing

Soundtrack to a horror film!

Little spooky...

Ugh, still can't decide which one will pair best with an EVM-12L for a Mark IV: Heritage, Anniversary or Blue? EVM would be moving into Thiele with the Celestion taking its place in the half-back combo. Mostly looking at high gain. Any suggestions?

🚀

Dude you sounded great and this was a fantastic review. Great job! 🎉

Enjoyed your take on the 440 Pure. My first episode watching your channel. Easy subscribe choice.

The best speaker comparison I’ve seen. There are lots of good ones. But this is about as good as it gets. Thank you

I have this, and with my orange, boss suppressor, it sounds nasty

Can you tell me what exact Sennheiser mic I need to get to attach with the V7

Although this is an older video, for anyone who may be looking at the ART Voice Channel or perhaps has one, I have a tube recommendation that sweetens it even further. When I bought mine new, the sales rep suggested adding a "Gold Lion" tube to my purchase to swap with the included tube. I did that but before swapping, I recorded a few lines of a voice over for reference. Once swapped, I recorded the same lines again, (same settings on box) and listened to playback. There was a noticeable improvement in overall sound quality that I appreciated and figured I'd put the box in the rack and that's that. Then by chance, I happened upon an obscure online article where I guy claimed to have found a GREAT tube for the ART, an JJ ECC 83s. I purchased that tube but before swapping, I once again did another few lines of a voice over with the Gold Lion tube and then again with the JJ tube once installed. The improvement was not only noticeable but delightful and I never looked back. It's a cinch to change the tube and there's a video on RUclips doing just that. I wanted to pass this along because I really believe it brings the best out of this cool piece of gear. A recent noise floor test showed the ART had less noise than brand new and tubeless Focusrite ISA One. '-)

44.1 kHz makes sense from a scientific standpoint. But doubling that also makes sense when editing.

Is 96k overkill for most regular recordings? Yes. It it overkill for effects processing? I think the question comes down to: Is 44.1 underkill, barely survivable, for effects processing. And bcos shannon and weaver and stuff. Edit: Sry Nyquist. Hey, pretty good explanation, finally someone who knows their shed.

Thank you for this. I've read and watched many Pro Tools tutorials and this one has helped me the most!

Oh my lord what a terrible DAW, so much unnecessary admin and bloat who made this the industry standard 😭

The neo copperback is one of the worst sounding speakers I've ever heard with gain. I'm amazed to hear that the vintage 30 was modelled after the blue. To my ear, the vintage 30 has always been muffled in the high end. It seems the opposite of bright and crisp.